• Páginas : 6-7 |
  • 189
DOI: https://doi.org/10.25100/nc.v0i10.5013
DOI: https://doi.org/10.25100/nc.v0i10.803
DOI: https://doi.org/10.25100/nc.v0i10.804
DOI: https://doi.org/10.25100/nc.v0i10.805
DOI: https://doi.org/10.25100/nc.v0i10.806
DOI: https://doi.org/10.25100/nc.v0i10.807
DOI: https://doi.org/10.25100/nc.v0i10.808
DOI: https://doi.org/10.25100/nc.v0i10.809
DOI: https://doi.org/10.25100/nc.v0i10.810
DOI: https://doi.org/10.25100/nc.v0i10.811

Imagen - Política

Camilo Aguilera Toro, Gerylee Polanco Uribe
  • 214
DOI: https://doi.org/10.25100/nc.v0i10.812
DOI: https://doi.org/10.25100/nc.v0i10.813

Las alteraciones formales en el dibujo animado

Nathaly Ortiz Lugo, Andrés Reina Gutiérrez
  • 270
DOI: https://doi.org/10.25100/nc.v0i10.814
DOI: https://doi.org/10.25100/nc.v0i10.815
DOI: https://doi.org/10.25100/nc.v0i10.816
DOI: https://doi.org/10.25100/nc.v0i10.817
DOI: https://doi.org/10.25100/nc.v0i10.818
DOI: https://doi.org/10.25100/nc.v0i10.819