The improvisation pattern in fagoacción scales, an open methodology in the midst of the pandemic

Abstract

This paper shows the methodology of scores within a sensitive laboratory that was carried out during the Covid-19 pandemic. This methodology was used in my thesis work, which sought a sensitive approach to the relationship between musician and musical instrument. However, performing this process not only yielded a result in the line of the thesis work, but also opened sensitive reconfiguration routes over the bodies of the laboratory participants, who had been limited by the pandemic. This was how the methodology, which at the same time suffered changes in its tools due to the health crisis, was able to transform the rigid bodies left by the same health crisis and opened up the sensitive encounter with others based on the commitment of the laboratory with scores.